Particularly beautiful. Great for a quiet day of reading.
Some Info about the composer -- from Wikipedia
Gabriel Fauré is regarded as the master of the French art song, or mélodie. His works ranged from an early romantic style, when in his early years he emulated the style of Mendelssohn and others, to late 19th century Romantic, and finally to a 20th century aesthetic. His work was based on a strong understanding of harmonic structures which he received at the École Niedermeyer from his harmony teacher Gustave Lefèvre, who wrote the book Traité d'harmonie (Paris, 1889), in which Lefèvre sets forth a harmonic theory which differs significantly from the classical theory of Jean-Philippe Rameau in that seventh and ninth chords are no longer considered dissonant, and the mediant can be altered without changing the mode. In addition, Fauré's understanding of the church modes can be seen in various modal passages in his works, especially in his melodies.
In contrast with his harmonic and melodic style, which pushed the bounds for his time, Fauré's rhythmic motives tended to be subtle and repetitive, with little to break the flow of the line, although he did utilize subtle large scale syncopations, similar to those found in Brahms's works. Aaron Copland referred to him as the "French Brahms."
Fauré's piano works often use arpeggiated figures with the melody interspersed between the two hands, and include finger substitutions natural for organists. These aspects make them daunting for some pianists, but they are nonetheless central works.
Note from me: You can definitely hear those arpeggios in the piece above. So lovely.